30 UMMA Objects
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The work is a color photograph of three models framed by mauve curtains. The models form a pyramidal shape, with one model crouching in the foreground, two standing behind her leaning inward. At the top of the composition a small pink rose is pinned to the wall.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.11
A photograph of a woman dancing. She lifts her arms up toward the right of the frame, her legs creating a diagonal across the bottom of the frame. 
Barbara Morgan (American (North American))
Martha Graham—Lamentation
1935
Gift of the Willard and Barbara Morgan Archives
1991/2.49
A photograph of a woman dancing. She wears a dress with flowing fabric, creating a sense of motion as she performs a jump.
Barbara Morgan (American (North American))
Martha Graham—Letter to the World
1940
Gift of the Willard and Barbara Morgan Archives
1991/2.52
This drawing depicts part of a large, Gothic-style church with lancet windows and buttresses, seen at night. Around the exterior of the building are two trees, a lamppost, four bollards, and a person seen in silhouette. A light source outside the image illuminates part of the church’s large arched window, and casts long shadows that fall to the left side of the composition. <br />
Inscribed on the recto, in pencil, in the image, “M. Bone / Amsterdam”
Sir Muirhead Bone (British (modern))
Amsterdam
1876 – 1953
Gift of Dr. Dean G. Hyde, class of '86
1992/1.127

Manuel Álvarez Bravo
Lengthened Light
1977
Gift of Frederick J. Myerson
1983/1.101.4
A group of dancers caught in motion; all leaping in the air in synchrony with their bodies hunched over.
Barbara Morgan (American (North American))
Charles Weidman—Lynchtown—(Humphrey-Weidman group)
1938
Gift of the Willard and Barbara Morgan Archives.
1991/2.51
This is a color photograph of two models reclining on a purple satin sofa, a patterned backdrop behind them. They each wear blue satin night gowns. The composition is symmetrical, with one woman on each end of the sofa, leaning on the cushions and looking out of frame.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.10
A color photograph of two models standing in the center of the frame. The model to the left wears a dark navy satin nightgown. She turns her body toward the left side of the frame, gathering the gown in her right hand. The model to the right wears a bright red gown and faces the wall, turning to the side as if to tell a secret.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.12
Two robed models sit on a couch, framed by large arrangements of artificial flowers. In the center, a third model in a night shirt jumps off of the couch, her head cropped out of the frame.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.13
The work is a color photograph of three models in various styles of underwear and brassieres. They stand close to one another, with their arms outstretched above their heads. They stand against a blank wall, their dark shadows projecting behind them.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.7
View down at 7th Avenue, looking north, from the 46-story Nelson Tower at 450 Seventh Avenue.
Berenice Abbott (American (North American))
Seventh Avenue Looking North from 35th Street, Manhattan
1935 – 1939
Gift of Ellen and William Kahn
2008/2.272
A photograph of a white house behind a tree trunk.
George A. Tice (American (North American))
Tree and Meeting House
1965
Gift of Dr. Clayton Lewis through the Friends of the Museum of Art
1971/2.130
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